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    Paul McCartney’s ‘Maxwell’s Silver Hammer’ Lyrics Can Be Yours for Around Half a Million

    April 5, 2022 /
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    Father John Misty Ponders Empire, Decay, and Val Kilmer on ‘The Next 20th Century’

    April 4, 2022 /
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    Volodymyr Zelenskyy Appears at Grammys From Kyiv Bunker to Ask for Unity in Fight Against Russia

    April 4, 2022 /
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    Two Members of Legendary Reggae Act Mighty Diamonds Die in Same Week

    April 2, 2022 /
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    The Judds to Reunite at 2022 CMT Music Awards

    April 1, 2022 /
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    Arlo Parks Gets Soulful With ‘Softly’ Performance on ‘Colbert’

    April 1, 2022 /
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    ‘Punk In Translation: Latinx Origins’ Takes Punk History Beyond White Men In Mohawks

    March 31, 2022 /
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    Watch Christina Perri Perform Emotional Single ‘Evergone’ on ‘Corden’

    March 31, 2022 /
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    Mimi Webb Lights Up With ‘House on Fire’ on ‘Fallon’

    March 31, 2022 /
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    The Making of SZA’s ‘Good Days’

    March 30, 2022 /
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  • Eshan Agarwal Says Silence Hurts More Than Lies on New Single
  • Sabrina Carpenter, Margaret Qualley, and Madelyn Cline Embrace ‘Grand Larceny Glam’ in ‘House Tour’ Video
  • New Music: Dark Dazey’s ‘Enemy’ is a Masterclass in Prog-Psychedelia
  • The Evolution of Mario: How a Nameless Arcade Avatar Became a Global Icon
  • John Derek Bishop’s ‘PI’: A Meditative Exploration of Piano Minimalism




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  • Eshan Agarwal Says Silence Hurts More Than Lies on New Single
  • Sabrina Carpenter, Margaret Qualley, and Madelyn Cline Embrace ‘Grand Larceny Glam’ in ‘House Tour’ Video
  • New Music: Dark Dazey’s ‘Enemy’ is a Masterclass in Prog-Psychedelia
  • The Evolution of Mario: How a Nameless Arcade Avatar Became a Global Icon
  • John Derek Bishop’s ‘PI’: A Meditative Exploration of Piano Minimalism
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