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End of the Road review – from industrial rackets to pristine folk, festivals don’t get more varied or vital
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“Dubai Star” Opens HRISTELIN’s New Musical Chapter
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“Imperfect Beauty”: Katie Runnels Returns with a Powerful Message of Healing
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They’re among the best in British indie. So why have Field Music become a Doors cover band?
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Green Man festival review – Kneecap and CMAT lead the charge in a utopian Welsh idyll
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‘I got a nosebleed in minutes!’ How the Wedding Present’s indie banger classics inspired a musical
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Cass McCombs: Interior Live Oak review | Ben Beaumont-Thomas’s album of the week
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Tino Kamal’s ‘Switch’: New West London Sound
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‘Flyovers can be incredibly beautiful!’ Long Blondes singer Kate Jackson’s new career as a motorway artist
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Joanne Robertson’s beautifully murky folksong and the best of the week’s new tracks
