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    Desi rap, deep jungle and truck-stop concrète: five-star albums you may have missed this year

    December 27, 2024 /
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  • Indie Music

    The 2010s are glorified by gen Z. But the ‘indie music’ of that era was unoriginal | Jamie Peck

    December 26, 2024 /
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  • U of Soul “This Silent Night”: A Holiday Anthem That Speaks to the Soul
    Indie Music

    U of Soul’s “This Silent Night”: A Holiday Anthem That Speaks to the Soul

    December 25, 2024 /
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  • Indie Music

    From Charli xcx to Chat Pile: Guardian readers’ favourite albums of 2024

    December 23, 2024 /
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  • Indie Music

    TV on the Radio review – US indie rockers roll back the years

    December 14, 2024 /
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  • Indie Music

    Lauren Mayberry: Vicious Creature review – a solo statement of intent

    December 13, 2024 /
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  • Indie Music

    Angel Olsen: Cosmic Waves Vol 1 review – intriguing half compilation, half covers

    December 13, 2024 /
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  • Indie Music

    The 50 best albums of 2024: 50-31

    December 9, 2024 /
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  • Indie Music

    ‘God Save the King makes me sick’: Bobby Gillespie’s honest playlist

    December 9, 2024 /
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  • Indie Music

    The 20 best songs of 2024

    December 6, 2024 /
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  • The Hidden War Against Streaming Fraud and AI-Generated Music
  • Gabrielle Ornate Returns with the Electrifying New Single ‘Nine Lives’
  • Chvrches Return to the Stage: Debut New Track ‘Conman’ at Royal Albert Hall
  • Boomtown 2024: A Curated Guide to the Festival’s Must-See Musical Acts
  • AARON TURNER & STEVE VON TILL Discuss Reactivating NEUROSIS




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  • The Hidden War Against Streaming Fraud and AI-Generated Music
  • Gabrielle Ornate Returns with the Electrifying New Single ‘Nine Lives’
  • Chvrches Return to the Stage: Debut New Track ‘Conman’ at Royal Albert Hall
  • Boomtown 2024: A Curated Guide to the Festival’s Must-See Musical Acts
  • AARON TURNER & STEVE VON TILL Discuss Reactivating NEUROSIS
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