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    Julia Holter: Something in the Room She Moves review – the best track is the simplest

    March 24, 2024 /
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  • Indie Music

    ‘When I was younger I was arrogant’: Vampire Weekend’s Ezra Koenig on fatherhood and growing up

    March 23, 2024 /
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  • Indie Music

    Waxahatchee: Tigers Blood review – intimate Americana tackling life’s great tangle

    March 22, 2024 /
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  • Indie Music

    ‘Nature reminded me you still have to live’: Jane Weaver on grief, reinvention and 80s Russian aerobics music

    March 21, 2024 /
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  • Indie Music

    Pop! goes the curriculum: songs to inspire primary school children

    March 20, 2024 /
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  • Indie Music

    German goth pioneers Xmal Deutschland: ‘To British people I was like an alien’

    March 18, 2024 /
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  • Indie Music

    Yard Act review – a band having fun in the midst of an identity crisis

    March 15, 2024 /
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  • Indie Music

    Good Morning: ‘I find it weird when people say that they’ve had sex to our music. That’s disgusting!’

    March 3, 2024 /
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  • Indie Music

    Yard Act: Where’s My Utopia? review – a leap forward for Leeds post-punkers

    March 3, 2024 /
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  • Indie Music

    Faye Webster: Underdressed at the Symphony review – petal-voiced power

    March 3, 2024 /
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  • Labyrinth: A Deep Dive into the Psychedelic Soundscapes of Rosetta West
  • The Epstein Files: New Details Emerge on Tommy Mottola’s Ties to the Financier
  • The High Stakes of the Supreme Court’s Birthright Citizenship Challenge
  • Ezra Grey’s ‘Afterall’ EP: A Masterclass in Emotive, Retro-Infused Songwriting
  • Eurovision Song Contest Expands to Asia with New Bangkok Competition




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  • Labyrinth: A Deep Dive into the Psychedelic Soundscapes of Rosetta West
  • The Epstein Files: New Details Emerge on Tommy Mottola’s Ties to the Financier
  • The High Stakes of the Supreme Court’s Birthright Citizenship Challenge
  • Ezra Grey’s ‘Afterall’ EP: A Masterclass in Emotive, Retro-Infused Songwriting
  • Eurovision Song Contest Expands to Asia with New Bangkok Competition
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