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    AI, bot farms and innocent indie victims: how music streaming became a hotbed of fraud and fakery

    June 3, 2025 /
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  • Indie Music

    Pulp: More review – anthems and rage for the next life stage

    June 2, 2025 /
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  • Indie Music

    Cloud Control review – Australian 2010s indie darlings reunite for a joyfully nostalgic tour

    June 2, 2025 /
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  • Indie Music

    Add to playlist: GB’s open-hearted pop and the best of the week’s new tracks

    May 30, 2025 /
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  • Indie Music

    Jacob Alon: In Limerence review – dreamy story songs of myth and melancholy

    May 30, 2025 /
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  • Longboat 'Word Gets Around' Wrestles With the Modern Condition
    Indie Music

    Longboat Experiments with Sounds on New Album ‘Word Gets Around’

    May 29, 2025 /
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  • Nardia Confronts Longing and Liberation in New Single “Is It You”
    Indie Music

    Nardia Confronts Longing and Liberation in New Single “Is It You”

    May 28, 2025 /
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  • Indie Music

    ‘Blur were so obnoxious!’: 35 years of epic gigs at Glasgow’s King Tut’s, from Oasis to Lewis Capaldi

    May 28, 2025 /
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  • Indie Music

    Stereolab: Instant Holograms on Metal Film review – after 15 years, the retro-futurists make a radiant return

    May 22, 2025 /
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  • XTINE Dismantles the Myth of Stability with "Nobody Stays”
    Indie Music

    XTINE Dismantles the Myth of Stability with “Nobody Stays”

    May 21, 2025 /
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Recent Posts

  • BRUCE DICKINSON Remembers How Fans Turned Their Backs On His Solo Career After He Left IRON MAIDEN In 1993
  • JUSTIN CHANCELLOR Explains TOOL’s Slow Path Into New Record: “We Don’t Want It To Be On A Schedule, We Wanna Be Proud Of It”
  • BEHEMOTH, DIMMU BORGIR & DARK FUNERAL Announce European Tour
  • GOJIRA Just Played Two Older Tracks Live For The First Time Ever
  • The Durutti Column: The Return of the Durutti Column review – fragile classic that echoes far beyond its time




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  • BRUCE DICKINSON Remembers How Fans Turned Their Backs On His Solo Career After He Left IRON MAIDEN In 1993
  • JUSTIN CHANCELLOR Explains TOOL’s Slow Path Into New Record: “We Don’t Want It To Be On A Schedule, We Wanna Be Proud Of It”
  • BEHEMOTH, DIMMU BORGIR & DARK FUNERAL Announce European Tour
  • GOJIRA Just Played Two Older Tracks Live For The First Time Ever
  • The Durutti Column: The Return of the Durutti Column review – fragile classic that echoes far beyond its time
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