Watch Ex-CRYPTA Guitarist JÉSSICA DI FALCHI Join TOOL On Stage At Lollapalooza Brasil

Guitarist Jéssica di Falchi might not be in Crypta anymore, but she’s still out there kicking ass! Watch as di Falchi joined Tool on stage during the March 30 night of Lollapalooza Brasil to rip a sick solo on “Jambi”. For reference, the pro-shot footage of “Jambi” above starts at 11:22 – and yes, the entire thing is shot wide because Tool didn’t want cameras all up in their faces. The full set ran as follows:

1. “Fear Inoculum”
2. “Jambi” (with Jéssica di Falchi)
3. “Stinkfist”
4. “Rosetta Stoned”
5. “Pneuma”
6. “The Grudge”
7. “Parabol”
8. “Parabola”
9. “Schism”
10. “Ænema”
11. “Flood”

As for Tool, they’re facing down a potential lawsuit and working on a new record this summer. According to Tool bassist Justin Chancellor in a recent interview with Summa Inferno, the instrumental portions of Tool will hole up in the studio for three months to work on new material now that their touring plans are briefly over.

“When we get back from [our Mexican festival in March] — I think it’s only three weeks we’re gonna be [there] — but we have already shared with each other a lot of these new ideas, but when we get back, we’re actually gonna dedicate the next three months after that in the studio to organizing our ideas.

“There’s a lot of stages in the process. And much of it is just every day — we all have ideas and when they’re good, when we like them, we kind of save them or memorize them. But then the really difficult process is when you actually get together and make decisions about how it’s going to end up. And that becomes a little more mathematical, a little more like in the classroom — there’s a blackboard and there’s numbers and you have to make decisions.

“So that’s the stage we haven’t completely pulled off yet, but we’re committed to do that when we get back. Before the summer, we’re gonna spend those few months really organizing our ideas. We already know what we like. We’ve all shared our individual ideas with each other, and we have a really good pile of stuff. You have to make those decisions, and you have to kind of wrestle with each other a bit to get to that next stage.

“And then you have to record it, which is a whole another thing as well. You go into the studio, and you have to — it’s like a pregnancy almost. When you go to the studio, you have to make this final decision of how it’s gonna sound and how you’re gonna play it, and it’s gonna live like that forever. So it’s a real delicate thing to be able to pull off. And I don’t think it’s unreasonable that we take a long time at all. I think that’s only natural, and that’s why I’m proud of it, because it was worked on really hard.”