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    CHAD GRAY & TOM MAXWELL Are Talking About Revisiting Their Pre-HELLYEAH Project

    April 13, 2024 /
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    THURSDAY Streams First New Single In 13 Years, “Application For Release From The Dream”

    April 13, 2024 /
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    Watch DEFTONES Play “Please, Please, Please, Let Me Get What I Want” Live For The First Time Ever

    April 13, 2024 /
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    MAYNARD JAMES KEENAN Explains Why He Hates People Using Their Phones At Concerts So Much

    April 13, 2024 /
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    Jess Ribeiro: Summer of Love review – a balm for anxious times

    April 13, 2024 /
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    SYSTEM OF A DOWN’s Show With DEFTONES, The Neseblod Records Fire & Other Top Stories You Might’ve Missed This Week

    April 12, 2024 /
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    DARKTHRONE, ARCHITECTS, AUGUST BURNS RED & More Among Metal Injection’s Top Tracks Of The Week

    April 12, 2024 /
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    All The North American Tour Dates Announced This Week 4/12

    April 12, 2024 /
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    Summer Slaughter 2024 To Announce Their Lineup This Month

    April 12, 2024 /
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    KERRY KING Streams New Solo Single “Residue”

    April 12, 2024 /
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  • Eshan Agarwal Says Silence Hurts More Than Lies on New Single
  • Sabrina Carpenter, Margaret Qualley, and Madelyn Cline Embrace ‘Grand Larceny Glam’ in ‘House Tour’ Video
  • New Music: Dark Dazey’s ‘Enemy’ is a Masterclass in Prog-Psychedelia
  • The Evolution of Mario: How a Nameless Arcade Avatar Became a Global Icon
  • John Derek Bishop’s ‘PI’: A Meditative Exploration of Piano Minimalism




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  • Eshan Agarwal Says Silence Hurts More Than Lies on New Single
  • Sabrina Carpenter, Margaret Qualley, and Madelyn Cline Embrace ‘Grand Larceny Glam’ in ‘House Tour’ Video
  • New Music: Dark Dazey’s ‘Enemy’ is a Masterclass in Prog-Psychedelia
  • The Evolution of Mario: How a Nameless Arcade Avatar Became a Global Icon
  • John Derek Bishop’s ‘PI’: A Meditative Exploration of Piano Minimalism
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