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‘Blur were so obnoxious!’: 35 years of epic gigs at Glasgow’s King Tut’s, from Oasis to Lewis Capaldi
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Stereolab: Instant Holograms on Metal Film review – after 15 years, the retro-futurists make a radiant return
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XTINE Dismantles the Myth of Stability with “Nobody Stays”
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Guy Garvey on Elbow’s One Day Like This: ‘Every week, someone tells me they got married to it’
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Crystal Starr Is Done Playing Nice with New Release “Danny”
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“Never Give Up” Is the Quietest Kind of Brave
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‘I’ve met people with tattoos of it’: Andy Vella on shooting the Cure’s Boys Don’t Cry album cover
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‘People think I’ve gone crazy’: indie sensation Cameron Winter on leaving crowds in tears with his wild lyrics and supernatural voice
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Maria Somerville: Luster review – a vivid and vital entry in the shoegaze revival
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Views of TikTok posts with electronic music outgrow those using indie