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    The Last Dinner Party: From the Pyre review – baroque’n’roll band’s speedily released second album is overheated

    October 17, 2025 /
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  • Indie Music

    Sam Fender wins 2025 Mercury prize for his album People Watching

    October 16, 2025 /
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  • Indie Music

    The Fiery Furnaces reissue a cult classic: ‘We knew we wouldn’t seem like an also-ran NYC band in leather jackets’

    October 13, 2025 /
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  • Indie Music

    Hannah Frances: Nested in Tangles review – ramshackle arrangements power restless revelations

    October 10, 2025 /
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  • Indie Music

    ‘The lyrics were throwaway. I never intended keeping them!’ How Feeder made Buck Rogers

    October 6, 2025 /
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  • Indie Music

    The Kooks review – a triumphant and touching mass singalong

    October 5, 2025 /
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  • “All I Need Is Love” Marks a Confident Debut for Pran
    Indie Music

    “All I Need Is Love” Marks a Confident Debut for Pran

    October 2, 2025 /
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  • Indie Music

    Sigur Rós and the London Contemporary Orchestra review – crashing waves of refined harmony

    October 1, 2025 /
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  • Karen Salicath Jamali’s “Mary’s Blessing” Offers Music as Protection
    Indie Music,  The latest

    Karen Salicath Jamali Finds Clarity in “Mary’s Blessing”

    September 30, 2025 /
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  • Indie Music

    Geese: Getting Killed review – Cameron Winter and co’s surreal, swaggering spectacular

    September 26, 2025 /
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  • The Providers and Friends Give “Silver Threads” New Life
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  • How to Watch the ‘American Idol’ Season 24 Finale Online Tonight




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  • Inside Anderson .Paak’s K-Pop Album: ‘This is More Than a Soundtrack’
  • The Providers and Friends Give “Silver Threads” New Life
  • Ashley McBryde, Shaboozey, and Keith Urban Named Presenters for 2026 ACM Awards
  • Christopher Nolan Explains Why He Cast Travis Scott in ‘The Odyssey’
  • How to Watch the ‘American Idol’ Season 24 Finale Online Tonight
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