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    Geese: Getting Killed review – Cameron Winter and co’s surreal, swaggering spectacular

    September 26, 2025 /
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  • Indie Music

    Add to playlist: the crisp conviction and poetic intrigue of Feeo, and the week’s best new tracks

    September 19, 2025 /
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  • Indie Music

    ‘We’d play for a frozen burrito’: post-rockers Tortoise on the changing face of Chicago, Steve Albini and their new-gen fans

    September 19, 2025 /
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  • Indie Music

    Supporting the Jam, sausages with the Bay City Rollers and defying skinheads: post-punk girl group Dolly Mixture look back

    September 17, 2025 /
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  • Indie Music

    ‘The epitome of amazingness’: how electroclash brought glamour, filth and fun back to 00s music

    September 17, 2025 /
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  • Indie Music

    ‘Indie boy gone bad’: the Hidden Cameras on their kinky, clubland inspired new sound

    September 15, 2025 /
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  • Indie Music

    Mark William Lewis: Mark William Lewis review – A24’s first musical signing’s cinematic south London scenes

    September 12, 2025 /
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  • Indie Music

    Patrick Wolf review – a moon-lit marvel lights up the Minack theatre

    September 7, 2025 /
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  • Tyra Unveils Her Glow on “Light Me Up”
    Indie Music,  The latest

    Tyra Unveils Her Glow on “Light Me Up”

    September 5, 2025 /
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  • Indie Music

    Big Thief: Double Infinity review – folk-rock perfection will restore your faith in humanity

    September 5, 2025 /
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  • Young Dolph Shooter Pleads Guilty, Concluding Murder Case
  • Inside Anderson .Paak’s K-Pop Album: ‘This is More Than a Soundtrack’
  • The Providers and Friends Give “Silver Threads” New Life
  • Ashley McBryde, Shaboozey, and Keith Urban Named Presenters for 2026 ACM Awards
  • Christopher Nolan Explains Why He Cast Travis Scott in ‘The Odyssey’




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  • Young Dolph Shooter Pleads Guilty, Concluding Murder Case
  • Inside Anderson .Paak’s K-Pop Album: ‘This is More Than a Soundtrack’
  • The Providers and Friends Give “Silver Threads” New Life
  • Ashley McBryde, Shaboozey, and Keith Urban Named Presenters for 2026 ACM Awards
  • Christopher Nolan Explains Why He Cast Travis Scott in ‘The Odyssey’
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