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    ‘Saying you’re in a jangle-pop band is a red flag’: the Tubs talk speed, squalor and their glorious second album

    March 19, 2025 /
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  • Indie Music

    A moment that changed me: I was an excruciatingly shy teenager. Then Courtney Love roared into my life

    March 19, 2025 /
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  • Indie Music

    ‘The odd drunken detective has been sighted at gigs’: how Sea Power won legions of gamer fans

    March 14, 2025 /
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    Throwing Muses: Moonlight Concessions review – as ever, Kristin Hersh is astonishing

    March 14, 2025 /
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    One to watch: Divorce

    March 8, 2025 /
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  • Indie Music

    Sasami: Blood on the Silver Screen review – a quirky move to the mainstream

    March 7, 2025 /
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  • Indie Music

    The Tubs: Cotton Crown review – a blistering, joy-to-heartbreak masterpiece

    March 7, 2025 /
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    PJ Harvey review – part folklore, part fever dream

    March 6, 2025 /
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    ‘Together in creativity for peace!’ Sain, the indie label pushing Welsh music forward for 56 years

    March 4, 2025 /
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  • Indie Music

    ‘I don’t want to retreat any more’: William Tyler on grief, alcoholism and his healing new album

    March 3, 2025 /
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  • The Hidden War Against Streaming Fraud and AI-Generated Music
  • Gabrielle Ornate Returns with the Electrifying New Single ‘Nine Lives’
  • Chvrches Return to the Stage: Debut New Track ‘Conman’ at Royal Albert Hall
  • Boomtown 2024: A Curated Guide to the Festival’s Must-See Musical Acts
  • AARON TURNER & STEVE VON TILL Discuss Reactivating NEUROSIS




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  • The Hidden War Against Streaming Fraud and AI-Generated Music
  • Gabrielle Ornate Returns with the Electrifying New Single ‘Nine Lives’
  • Chvrches Return to the Stage: Debut New Track ‘Conman’ at Royal Albert Hall
  • Boomtown 2024: A Curated Guide to the Festival’s Must-See Musical Acts
  • AARON TURNER & STEVE VON TILL Discuss Reactivating NEUROSIS
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