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    Spirit of the Beehive: You’ll Have to Lose Something review – like an arthouse horror movie in sound

    August 23, 2024 /
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  • Indie Music

    ‘They couldn’t even afford a bag of chips!’: Scotland’s great lost all-female bands

    August 21, 2024 /
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  • Indie Music

    One to Watch: Wishy

    August 17, 2024 /
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  • Indie Music

    Illuminati Hotties: Power review – melody-rich, fat-free indie rock

    August 16, 2024 /
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  • Indie Music

    Pom Poko: Champion review – garage rockers finding joy in the everyday

    August 16, 2024 /
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  • ‘No Place Like’ by hachajah Fuses Sri Lankan Soul with Contemporary Pop Sounds
    Indie Music

    ‘No Place Like’ by hachajah Fuses Sri Lankan Soul with Contemporary Pop Sounds

    August 15, 2024 /
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  • Indie Music

    Fontaines DC: Romance review | Alexis Petridis’s album of the week

    August 15, 2024 /
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  • Indie Music

    Beabadoobee: This Is How Tomorrow Moves review – a nostalgic gen Z gem

    August 10, 2024 /
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  • Indie Music

    Ravyn Lenae: Bird’s Eye review – a breathtaking R&B follow-up

    August 9, 2024 /
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  • Indie Music

    The Postal Service’s Ben Gibbard: ‘You write things when you were 21 that you wouldn’t write today’

    August 9, 2024 /
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  • Eurovision Song Contest Expands to Asia with New Bangkok Competition
  • Jovi Skyler’s ‘Call It A Day’ EP: A Masterclass in DIY Punk Energy
  • The Hidden War Against Streaming Fraud and AI-Generated Music
  • Gabrielle Ornate Returns with the Electrifying New Single ‘Nine Lives’
  • Chvrches Return to the Stage: Debut New Track ‘Conman’ at Royal Albert Hall




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  • Eurovision Song Contest Expands to Asia with New Bangkok Competition
  • Jovi Skyler’s ‘Call It A Day’ EP: A Masterclass in DIY Punk Energy
  • The Hidden War Against Streaming Fraud and AI-Generated Music
  • Gabrielle Ornate Returns with the Electrifying New Single ‘Nine Lives’
  • Chvrches Return to the Stage: Debut New Track ‘Conman’ at Royal Albert Hall
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