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    Lauren Mayberry: Vicious Creature review – a solo statement of intent

    December 13, 2024 /
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  • Indie Music

    Angel Olsen: Cosmic Waves Vol 1 review – intriguing half compilation, half covers

    December 13, 2024 /
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  • Indie Music

    The 50 best albums of 2024: 50-31

    December 9, 2024 /
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  • Indie Music

    ‘God Save the King makes me sick’: Bobby Gillespie’s honest playlist

    December 9, 2024 /
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  • Indie Music

    The 20 best songs of 2024

    December 6, 2024 /
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  • Indie Music

    Ambitious and acid-powered, Olivia Tremor Control’s Will Cullen Hart was a genius of lo-fi

    December 2, 2024 /
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  • Indie Music

    Papa M: Ballads of Harry Houdini review – committed to evolution

    November 29, 2024 /
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  • Indie Music

    The Innocence Mission: Midwinter Swimmers review – lo-fi soft focus on the beauty of everyday life

    November 29, 2024 /
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  • Peg Luke' s "My Silent Night" Redefines the Christmas Classic with Spiritual Grace
    Indie Music

    Peg Luke’s “My Silent Night” Redefines the Christmas Classic with Spiritual Grace

    November 27, 2024 /
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  • Indie Music

    I set up my own indie label. From Brexit’s brutality to the joy of DIY music, here’s what I learned

    November 27, 2024 /
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  • Tyra Banks Files Lawsuit Against Netflix Over ‘ANTM’ Docuseries
  • Justin Baldoni Ordered to Pay Blake Lively’s Legal Fees in Defamation Case
  • Emily Blunt and Colman Domingo Get Candid About Aliens and Cinema
  • Green Day’s Early Days Inspire New Comedy Film ‘Nimrods’
  • Steven Spielberg’s ‘Disclosure Day’: A Paranoid Sci-Fi Thriller




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  • Tyra Banks Files Lawsuit Against Netflix Over ‘ANTM’ Docuseries
  • Justin Baldoni Ordered to Pay Blake Lively’s Legal Fees in Defamation Case
  • Emily Blunt and Colman Domingo Get Candid About Aliens and Cinema
  • Green Day’s Early Days Inspire New Comedy Film ‘Nimrods’
  • Steven Spielberg’s ‘Disclosure Day’: A Paranoid Sci-Fi Thriller
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