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    Fontaines DC: ‘We can generate ideas that sound like they’ve been carved in stone for a thousand years’

    April 18, 2024 /
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  • Indie Music

    Bodega: Our Brand Could Be Yr Life review – uneven railing against the evils of capitalism

    April 14, 2024 /
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  • Indie Music

    Jess Ribeiro: Summer of Love review – a balm for anxious times

    April 13, 2024 /
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  • Indie Music

    The Black Keys: Ohio Players review – a little soul, a little lush, less magic

    April 5, 2024 /
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  • Indie Music

    ‘Cynicism doesn’t get you anywhere’: Warren Ellis on Dirty Three’s return, Nick Cave – and opening a primate sanctuary

    April 3, 2024 /
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  • Indie Music

    ‘When we get into a room, it feels like it’s 1995’: Jebediah reunite after a decade apart

    April 2, 2024 /
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  • Indie Music

    Chicano Batman: Notebook Fantasy review – a freewheeling ode to joy

    March 31, 2024 /
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  • Indie Music

    Ride: Interplay review – perpetual teenage kicks, now with added anger

    March 31, 2024 /
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    One to watch: Glass Beams

    March 30, 2024 /
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  • Indie Music

    Waxahatchee: Tigers Blood review – sprightly Americana with added poise

    March 24, 2024 /
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Recent Posts

  • Labyrinth: A Deep Dive into the Psychedelic Soundscapes of Rosetta West
  • The Epstein Files: New Details Emerge on Tommy Mottola’s Ties to the Financier
  • The High Stakes of the Supreme Court’s Birthright Citizenship Challenge
  • Ezra Grey’s ‘Afterall’ EP: A Masterclass in Emotive, Retro-Infused Songwriting
  • Eurovision Song Contest Expands to Asia with New Bangkok Competition




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  • Labyrinth: A Deep Dive into the Psychedelic Soundscapes of Rosetta West
  • The Epstein Files: New Details Emerge on Tommy Mottola’s Ties to the Financier
  • The High Stakes of the Supreme Court’s Birthright Citizenship Challenge
  • Ezra Grey’s ‘Afterall’ EP: A Masterclass in Emotive, Retro-Infused Songwriting
  • Eurovision Song Contest Expands to Asia with New Bangkok Competition
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