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    The Weekly Injection: New Releases From NECROT, TÝR, CASTLE RAT & More Out Today 4/12

    April 12, 2024 /
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    ZAO, CAPRA & FRAIL BODY Announce US Tour Dates

    April 11, 2024 /
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    ENFORCED & BLAZING TOMB Robbed In Connecticut, Bands Seek Financial Aid

    April 11, 2024 /
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    JERRY CANTRELL’s Guitar Was Just Lost, Not Stolen… And He’s In The Studio

    April 11, 2024 /
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    THE TROOPS OF DOOM (Ex-SEPULTURA) Streams “Chapels Of The Unholy”, Announces New Album

    April 11, 2024 /
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    MARILYN MANSON Is “Sober And He’s Staying Clean,” According To ZOLTAN BATHORY

    April 10, 2024 /
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    ULCERATE Streams Vicious New Single “To Flow Through Ashen Hearts”

    April 10, 2024 /
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    JERRY CANTRELL’s Original G&L Guitar Stolen, Reward Posted For Its Return

    April 10, 2024 /
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    MY DYING BRIDE Reportedly Cancels All 2024 Shows, Replaced By AGALLOCH At Maryland Death Fest

    April 9, 2024 /
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    Poll: What Was The Best Release Of 1994?

    April 9, 2024 /
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  • Eshan Agarwal Says Silence Hurts More Than Lies on New Single
  • Sabrina Carpenter, Margaret Qualley, and Madelyn Cline Embrace ‘Grand Larceny Glam’ in ‘House Tour’ Video
  • New Music: Dark Dazey’s ‘Enemy’ is a Masterclass in Prog-Psychedelia
  • The Evolution of Mario: How a Nameless Arcade Avatar Became a Global Icon
  • John Derek Bishop’s ‘PI’: A Meditative Exploration of Piano Minimalism




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  • Eshan Agarwal Says Silence Hurts More Than Lies on New Single
  • Sabrina Carpenter, Margaret Qualley, and Madelyn Cline Embrace ‘Grand Larceny Glam’ in ‘House Tour’ Video
  • New Music: Dark Dazey’s ‘Enemy’ is a Masterclass in Prog-Psychedelia
  • The Evolution of Mario: How a Nameless Arcade Avatar Became a Global Icon
  • John Derek Bishop’s ‘PI’: A Meditative Exploration of Piano Minimalism
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