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    ‘Sometimes it can get tiring’: how Royel Otis became indie’s next big thing

    November 17, 2024 /
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  • Indie Music

    Khruangbin review – exquisite dreamy grooves get lost in the ether

    November 17, 2024 /
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  • Indie Music

    Shed Seven review – enduring Britpoppers are still going for gold

    November 15, 2024 /
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  • Indie Music

    ‘We can’t all retire because someone died’: the new bands honouring the spirit of old ones, from Talk Talk to Thin Lizzy

    November 15, 2024 /
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  • Indie Music

    Magdalena Bay review – alien electro-pop adventure could go further

    November 14, 2024 /
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  • Indie Music

    ‘Grief is giving me this beautiful, deepening understanding’: Phil Elverum on loss, new love and his landmarks of US indie

    November 11, 2024 /
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  • Indie Music

    Orchestre Tout Puissant Marcel Duchamp: Ventre unique review – artful mischief

    November 9, 2024 /
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  • Indie Music

    Du Blonde: Sniff More Gritty review – a gleefully self-sufficient affair

    November 8, 2024 /
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  • Indie Music

    ‘You got it or you didn’t’: the sweat, smoke and sonic excess of the indie scene pre-Britpop

    November 5, 2024 /
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  • Indie Music

    Andrew Macdonald’s Journey in Contemporary Christian Music: A Heartfelt Approach to Worship and Empowerment

    October 25, 2024 /
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Recent Posts

  • MYKE TERRY Confirms VOLUMES Have Finished Their Fifth Record
  • PRESIDENT Drop Second Single, “Fearless,” To Make Live Debut At Download Festival 2025
  • CRYPTOPSY, PARADISE LOST, GWAR & More Added To Metal Injection’s Top Tracks Of The Week
  • DAN SPENCER Streams Touching Cover Of WARNING’s “Footprints”
  • PARADISE LOST Announces Long-Awaited New Album, Streams “Silence Like The Grave”




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  • MYKE TERRY Confirms VOLUMES Have Finished Their Fifth Record
  • PRESIDENT Drop Second Single, “Fearless,” To Make Live Debut At Download Festival 2025
  • CRYPTOPSY, PARADISE LOST, GWAR & More Added To Metal Injection’s Top Tracks Of The Week
  • DAN SPENCER Streams Touching Cover Of WARNING’s “Footprints”
  • PARADISE LOST Announces Long-Awaited New Album, Streams “Silence Like The Grave”
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