XTINE Will Not Let You Feel Alone on ‘All The Ways We Loved’

All The Ways We Loved, the debut album by XTINE, arrived April 10, 2026. The 14-track alt-pop record is the work of an artist who has been in conversation with her craft long enough to know exactly what she wants to say and more importantly, how exactly she wants to say it. Rolling Stone UK recognized the record shortly after its release.

The album operates on emotional precision rather than emotional volume. Tracks like “Nobody Stays” and “Call You Home” move through BPD, self-sabotage, and the wreckage of learned abandonment with a directness that never tips into spectacle.

Produced in collaboration with Megan Wilde, the sonic palette stays intimate throughout without collapsing into minimalism. There is texture here — in “Held Me Right,” in “Open Water,” in the cinematic restraint of “I Remember” — but it never overwhelms the emotional architecture underneath. The production serves the writing, and the writing is doing serious work.

The album’s closing track, “Falleg Kona,” is sung entirely in Icelandic. It functions less as a conclusion and more as a release — the point where language itself steps aside and feeling takes over completely. XTINE has described it as a piece of herself offered to the listener with the hope they feel everything she couldn’t explain with words alone. As a closing statement, it lands exactly that way.

The music arrives as comfort during depression, hope during hopelessness, and light during darkness. What the record does quietly, across all fourteen tracks, is make the unbearable feel less singular. Not by softening it, but by naming it so precisely that the listener stops feeling alone inside it.