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    Fievel Is Glauque: Rong Weicknes review – teetering song-towers that never quite topple

    October 25, 2024 /
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  • Indie Music

    ‘I was playing with fire’: One True Pairing’s Tom Fleming on Wild Beasts, breakdown – and his brilliant comeback

    October 21, 2024 /
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  • Indie Music

    In One Ear by Simon Raymonde review – life with the magical, mysterious Cocteau Twins

    October 21, 2024 /
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    Blossoms review – funky indie-pop singalongs (and a 6ft gorilla) send the crowd wild

    October 18, 2024 /
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    Porridge Radio: Clouds in the Sky They Will Always Be There for Me review – exquisite euphoria through repetition

    October 18, 2024 /
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    Japandroids: Fate & Alcohol review – Canadian duo’s bittersweet breakup record

    October 18, 2024 /
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    ‘A five-year-old could play this!’ How Razorlight made Golden Touch

    October 14, 2024 /
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    ‘Being alive is kind of painful’: the bleak vision of noise rockers Chat Pile

    October 11, 2024 /
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    Godspeeed You! Black Emperor: No Title As of 13 February 2024, 28,340 Dead review – powerfully brilliant

    October 4, 2024 /
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  • Indie Music

    The Hard Quartet review – cosmically trippy joy from Stephen Malkmus supergroup

    October 4, 2024 /
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Recent Posts

  • MYKE TERRY Confirms VOLUMES Have Finished Their Fifth Record
  • PRESIDENT Drop Second Single, “Fearless,” To Make Live Debut At Download Festival 2025
  • CRYPTOPSY, PARADISE LOST, GWAR & More Added To Metal Injection’s Top Tracks Of The Week
  • DAN SPENCER Streams Touching Cover Of WARNING’s “Footprints”
  • PARADISE LOST Announces Long-Awaited New Album, Streams “Silence Like The Grave”




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  • MYKE TERRY Confirms VOLUMES Have Finished Their Fifth Record
  • PRESIDENT Drop Second Single, “Fearless,” To Make Live Debut At Download Festival 2025
  • CRYPTOPSY, PARADISE LOST, GWAR & More Added To Metal Injection’s Top Tracks Of The Week
  • DAN SPENCER Streams Touching Cover Of WARNING’s “Footprints”
  • PARADISE LOST Announces Long-Awaited New Album, Streams “Silence Like The Grave”
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